But I didn't do it with any other goal in mind, except to express this particular something musically at this particular point in my life. Even if it's 80 percent good, it's the 20 percent that's bad that you remember-and that's a higher number than I usually get, 80 percent would be amazing. I kind of dread any kind of critical response, just because it's always painful in some way. It's like nothing on the album is conscious. Overall, they seem to explore a feeling of transition. There are two acoustic versions of songs we did record for the album, which will also be bonus tracks. We recorded 13 and left one off, which will be a bonus track. It's really been Brad saying, "These are great songs, you should keep working at it." How many did you record? Through Keaton I met Brad Davidson at ThinkSay Records about a year and a half ago, and he's the one who's pushed the album. And Keaton was kind enough to do the early demos for me, and I felt like they were songs, and I have something to say, and maybe somebody would want to hear this. I sent a friend of mine named Keaton Simons some stuff and said, "Could we just record in your garage?" I just want to hear it and hear what I sound like, because I'm not a singer. I first started writing songs three or so years ago, and even then they were just for me or a couple of friends that I play guitar with every Sunday. Well, I never really had a conception of it because I never thought I would record a song, or even write one. How long did it take to birth this album, from conception to release? And rain is always a good rhyming word: rain and pain and again. I was a little embarrassed, but there it is. I was surprised there was so much rain in the album. "It's always December," as it says in one of my songs.
"Let It Rain." "The Rain Song." Were you in a rainy kind of mood while writing?įor sure. I've been enjoying your album, but with the downpour today in New York it seems particularly resonant. We recently talked to Duchovny about conquering pre-show jitters, escaping ghosts by moving to the Bronx, starting an X-Files band with Anderson and creator Chris Carter (who's using Duchovny's music in the new series), and getting paid for putting on a dress. But first, the man whose Twitter bio reads "dilettante" wants us to believe that despite his many prolific projects, he's just as lazy as the next guy. Duchovny's in the middle of a frenetic season: He's riding the success of his new allegorical book Holy Cow (with another novel on the way next year), chasing Charles Manson as a cop in the new '60s-set NBC drama Aquarius, premiering May 28, and reuniting with Gillian Anderson to bring a little under-the-radar show called The X-Files back to life for a six-episode miniseries in January 2016. (Sample lyric: "I see the sky in the ocean/The rise and the fall/What my mind regrets my heart accepts/Passing witness to the crazy costume ball.") Yet he might also be the most self-deprecating musician alive, admitting that he's never done karaoke because, well, no one ever wanted to hear him sing. After hanging up Hank Moody's black T-shirt on Californication, the actor picked up a guitar for his self-penned debut Hell or Highwater, out today, and the rock album features his brooding musings on pride, loss, and lots of remorse.
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